On opposite walls in my shed currently I have two projects. These take the form of mood boards with photos and quotes scribbled on Post-it notes. On one wall is my long-term project about Tom Polgar, an offshoot of Voyageuse. On the other is my current project, Tilo in Real Life which exists as a set of index cards with handwritten descriptions of each scene.
Elsewhere in the house there's two-thirds of a script on my laptop and a growing pile of props acquired for the shoot, mainly small electrical items bought off eBay. In my edit suite there's a set of camera tests shot over the last nine months that are encouraging. Cutting these, I try to convince myself the film's worth making. It's strange to be in this position because what else can a filmmaker do after making a film but make another one? I also have a scrawled quote from Kafka that expresses my feelings – You are free, that's why you are lost.
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